So far, I haven’t seen very many reviews of American Sniper from anyone who was present in Iraq during the time Kyle was there. My first base, Al Taqaddum was about thirty minutes from Fallujah , the location of much of the story. Some of the times we were there coincided, so I feel like I have a different view of the story than most movie goers or professional reviewers.
I really don’t like seeing war movies about Iraq because, like “The Hurt Locker” and “Brothers”, they are critically acclaimed by millions who never took part in the wars, but create ridiculously stereotypical caricatures of real people who deserve more respect, and are abysmal failures of research into the actual military methodology that deserves more understanding. To me, movies like these are just riding waves of war curiosity and civilian guilt while telling their over-sensationalized story, rather than any semblance of a real story – essentially, an insult to anyone who actually took part in the conflict while making millions for people who didn’t. I fully expected American Sniper to be much of the same, so I was probably just going to wait and rent the DVD. It wasn’t until my sixth grade students, some of which still in diapers when I went to war, started asking questions about what it is was like for me after seeing they saw the movie that I decided to watch so that I could give an answer based on their new context, rather than mine.
When I sat down for the movie I fully expecting all the nonsense and war porn that was The Hurt Locker. My only hope was that Clint Eastwood, whose work I have enjoyed in the past, would do better. The lights went down and the opening began to the Islamic call to prayer. Before even the first frame of actual film footage, I was shocked that I was immediately taken back to that other time and place. What the Adhan means, to me, is an immediate sense of anxiety and foreboding. I know that for billions of people, that is not the case, but when the first place you hear it is over hundreds of loudspeakers echoing from the village of Haditha below your base, it is more reminiscent of the people living there lobbing rockets at you every week than of any religion of peace. Eastwood starting the movie with that, I feel was intended as a spiritual call to arms for Iraq veterans and for me at least, it landed. What the opening first scene actually ended up being, locked me in for the rest of the movie.
Where this film shines, in my opinion, was in the degree of accuracy it had in its presentation. As I said before, movies like The Hurt Locker turned me off for military flicks for years. This one got details right that I have no idea how they could have known. I have no idea how they thought to even ask. My case in point, which no one reading this noticed, was a water bottle used to automatically close the wooden door in their plywood shelter on the first deployment. It is an almost meaningless detail of that war that we walked past every day, but that you would never think to see in a movie because it is just so mundane and inglorious. But there it was. It meant a lot to me that that detail made it in, among countless others which will go unheralded. Honestly, the whole living area was done perfectly. It felt exactly like what I would have expected to see in Iraq. In fact, it was too perfect. There was no dust and everything was at right angles so shelves didn’t look like they were made by a cross-eyed Lance Corporal who lost his glasses. But besides being too perfect, it was perfect. To be clear, this was a very researched and well done military movie. There were times where troops wore the wrong gear and other things, but overall, very well done in most regards.
Second, was the actual portrayal of military deployments. Every war movie I have ever seen shows you and your war buddies gearing up for “The Big One” and going off to war. Those who miraculously survive come home to ticker tape and beautiful women, the war forever just a memory. What the regular people don’t get is that we go to war, once, twice, four times, eight times… I commented to Jay Wacker‘s review to his point that, “The film dragged a little in the 3rd tour, which began to feel a bit same-same…” which shows a great deal of how good movies run counter to real life. There’s a reason that the film drug during the third tour. By the third 6-to-10 month combat tour, life is same-sameish. That said, the fact that Eastwood showed the transition – civilian home, killing insurgents, having a baby, seeing a child murdered, playing with the dog, seeing your friend killed, going to the mall, nearly dying, as a realistic sequence of events does far more to display life for those of us who really deployed and our families. Living in that perpetual state of transition was a a mind numbing experience, delivered of course, by the film’s leading actor, Bradley Cooper.
Cooper got it right in so many ways I can’t even describe how much I now respect this Hangover alumni. It wasn’t his general badassness in battle. Every war movie tries to make their hero a superhero. Whatever, boring. I’ve seen that before over, and over, and over… So to those who see this as just “a real-life Iron Man or Captain America”, you missed so, so much.
The scene that meant the most to me when thinking about Cooper’s acting ability was one that most people were probably bored by, but for veterans, really drives the point home that they got it right. I’ll throw a spoiler because the plot point really doesn’t matter. It was the scene where Kyle and his family are having the tire on their car changed. A Marine recognizes Kyle and comes up to thank him with all the “You saved me in, blah, blah, blah…” and “A lot of guys didn’t come back, blah, blah, blah…” tropes that are in every war movie. What you probably didn’t notice about that scene was Cooper. To moviegoers he was boring, but what I saw was something I don’t understand how he got right.
In that scene, Cooper displays classic signs of a veteran who doesn’t enjoy being thanked. He immediately deeply retreats upon being recognized and becomes politely evasive. His speech breaks down into monosyllabic chirps of general acknowledgement, while not maintaining eye contact and attempting to not carry the conversation further. While I’ve never saved anybody, I’ve had this experience dozens of times when random strangers thank me for my service. You really can’t describe the feeling that follows, but last Veterans’ Day when my boss made a big deal about thanking me in front of all my students, a motive I am deeply appreciative of, I was overwhelmed with a feeling I can only describe as a profound and sudden sense of humiliation which I can’t begin to quite understand. I had to ask her to stop. Like seriously. All I can say is Cooper’s portrayal of this feeling was something I saw in his short chirps and expressionless awkward glances that communicated a level of detailed research, coaching, and acting, to say the least of getting to know real veterans that needs to be known and acknowledged.
What I didn’t like most was the wife, played by Sienna Miller. The character was too one-dimensional. The acting was fine, but the role was built to serve as a person who represented the state-side life of deployed military personnel and nothing else. For that reason, regardless of the real Taya Kyle’s persona, the character came off as deeply unsupportive and against the war or at least her husband’s participation in it. It lends to the idea that “normal” people wouldn’t be all right doing what he does. The only time you actually see her mention that she is proud of her husband’s achievements was when he retired from service, which left a very ambiguous taste in my mouth. What exactly was she proud of? This felt very unrealistic as the SEALs are pretty much the most gung-ho, hyper military individuals that Hollywood often paints them to be, but their families are just as gung-ho proud as they are. They suffer the deployments, sure, but “My husbands a SEAL, dammit!” In my experience, you don’t find successful military people who have a home life with someone that unsupportive of their efforts “over there”, particularly when they were in service prior to their romantic life. I can easily dismiss this because this character, in the movie, is a symbol meant to showcase the torn nature of Kyle’s character, and rounding her out would have taken away from the plot while adding time to an already very long movie, but it just didn’t land home with me. The brother’s extremely short feature in the late story also seemed remarkably unrealistic and more Hollywood than real life. I get that he may not have liked the war (who does?) but the day you go home is the happiest day of your life. You’re happy. Act happy.
There were other plot problems, as well. Specifically, on his first deployment he is pretty much looked at as some sort of key leadership role, which isn’t realistic. He’s a SEAL, not a God of Warfare. What it seemed to me to happened was that several key leaders, namely SEAL officers, were merged with Kyle’s character for story telling convenience. By his third or fourth tour he would have been an actual Chief (Chief Petty Officer) and had a leadership role, but not by the first deployment. Abandoning overwatch to go house to house was also a bit unforgivable, because I said so. “Let me show you a few things,” to the Marines, which were filmed as almost incompetent, was a bit annoying. Getting a phone call in the middle of a mission? Umm… no. The whole climax scene was also really over the top and highly fictionalized for the movie from several different events in the book at once.
The last thing I didn’t really enjoy seeing; all the PTSD and blown up troops. Honestly, the next time you see it, attempt to find me one single veteran who left the military and was not very much traumatized or horrifically maimed. If movies like this were the only evidence you had to go on, everyone would believe that all 2.5 million of us who went would to Iraq or Afghanistan are sporting a titanium leg. I’ve seen a dozen different reviews that speak about how they did a great job of showing what it’s like for returning troops mentally speaking, but they really didn’t. Don’t get me wrong, they did better than any other, but you don’t feel what having cancer is like by watching an actor play a person with cancer. You just feel sad for the character. You don’t understand it, though. I appreciate how very, very hard they obviously worked on showcasing the issue respectfully, but honestly I’m concerned that the fact that since every war movie must show returning veterans as irreparably broken and destroyed individuals, (Brothers anyone?) is just perpetuating the idea that we are creatures to be pitied in the best case scenario; that is, pitied but kept safely away from friends, children, dogs, your workplaces, or guns because we will probably murder you in a fit of PTSD rage. We have enough problems without dealing with the stereotypes that films about the war continually reinforce in a population that has no first hand experience with its actual military veterans.
These few major points and the numerous small inaccuracies were why it isn’t a five star movie for me. That said, I can dismiss these because I get that we need certain things in a movie to take place and be entertaining to movie-going audiences. Enough of the details and story were preserved and given their proper respect that I can deal with the hyped up sensationalization of much of the movie. I do want to end on a positive note.
Many have spoken to the fact no one says a word when the movie ends. It was the same for us. The ending was extremely powerful and brought to the surface many emotions that you just can’t go back to the real world immediately from. For my wife and I, it remained silent for most of the twenty minute car ride home, as well. I dealt with a lot of personal feelings that the movie dug up. I’m usually livid after movies like that, talking about how this was wrong, or that was wrong, but Eastwood’s film just reached me in a way that others who want to tie themselves to the trials of military personnel couldn’t. The film respectfully and as accurately as I could imagine, tells the story of one American warrior’s struggle in making terrible choices, fighting against terrible people, separated from his family and doing it again and again for something he believed was important. To many of us who were there, the story also helps in a small way to communicate parts of ourselves we simply failed to communicate before. I honestly don’t know if there will ever be an Iraq War movie that I would give five stars to, but I am deeply appreciative to the work that Clint Eastwood, Bradley Cooper, and the team that brought American Sniper have done to bring this story to the big screen.
In summary: Must See.
Jon Davis is a US Marine Corps veteran writer, focusing on the topics of US veterans and international defense. His work has been featured in Newsweek, Forbes, Gizmodo and elsewhere. He is also a writer of military science fiction with his first book, The Next War, due out early this year. You can follow Jon Davis via his personal blog Jon’s Deep Thoughts, and can support his writing via the web donation service, Patreon.